Social context of suicides and Sadik Hidayet

Sadik Hidayet is an Iranian author, mostly known for his short stories and nihilistic style. I have recently read his short story named “The One Buried Alive”, which is not to be confused with the fine movie “Buried” ( which suggest that perhaps there is something in the theme of being buried alive that ignites the imagination. Leaving aside all the dramatic details and analysis in the lines of post-traumatic stress disorder and the like, the story is very successful in conveying the feeling of detachment from the society which seems to be the central emotion at play.

It is not that a suicide is not a tragedy, but the cheesy representation of it in much of the literature that actually sets this writer apart. Keep in mind that we are talking about someone who did, unfortunately, successfully commit suicide.

The self poisoning scorpion figure is a usual metaphor in Turkish literature, but the way Hidayet used it in his story was new for me: “I knew the scorpion kills itself by poisoning when we encircle it with fire”. Sometimes I feel that, with all our accomplishments in the past centuries, we have yet to create the culture that sustains our advanced production and workplace organization. It seems to me that all this romanticism on rural life, nature,etc. , is a symptom of our recognition of this fact and our expression of longing for a better organization of our lives (Hell, the feudal societies had much more time to evolve their culture, right?). Can this not be a result of, or at least effected by, the discrepancy between the structure and superstructure ( ?

And I find out that suicide is not far away after all :


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